Classics

Over the Limit

by Rip Rowan

The seminal article blasting the modern mastering industry for singlehandly destroying a generation of great music.


Greed and Power:

the Spirit of Radio?
by Bill Park

A scathing indictment of the megalithic entertainment conglomerate Clear Channel and its devastating effect on music and the people who make it.


Point-to-Point III:

Debra Soule
by Rip Rowan

Building a mix from the ground up with Debra Soule's "Everlasting".


Radio, Radio

by Bill Park

A comprehensive explanation of the wholesale changes in the radio industry stemming from the 1996 Telecom Act.

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Recent Articles

Is Your Engineer a Dumbass?

Andrew Long

Dumbass - noun - A stupid person; these words are used to express a low opinion of someone's intelligence.

If you’re one of the many aspiring songwriters / musicians / engineers out there that is trying to record an album independently, you have two choices: Record the album yourself at home or go to a “professional” studio.

Comments (12)

Real-time Remote Collaboration via NINJAM

Ron Guensche

I’ve spent most of the last decade involved in remote collaboration as a tech support engineer for ednet, whose primary business model is real-time, remote audio collaboration via ISDN & IP for the advertising, post / ADR, and music markets.

Comments (5)

Choosing an Audio Platform

Rip Rowan

Two questions perenially surface in the world of pro audio:

1. Why are Macs dominant in pro audio, when Windows has such overwhelming market share?

2. Should I get a Mac or PC for recording?

Comments (25)

A Prolonged Absence

Rip Rowan

By now you've probably been wondering where we've been. To tell the truth, so have we.

Well, ProRec's demise is a powerful testimonial to the importance of a robust data backup strategy. After over eight years of uninterrupted service, our main web server experienced a (third) failure of its RAID array, and the entire contents of the server were utterly corrupted.

Normally, this would not have been such a disaster.

Comments (16)


MiniTraps Bass Traps by RealTraps

Rip Rowan

In my last studio, I was fortunate to have a great sounding control room. I can’t take any credit for this; it was sheer luck-of-the-draw. Some interplanetary alignment of room dimensions, carpeting type, and speaker placement converged to give me a near-perfect listening environment.

Comments (0)

Best of Breed: Sonar 4 Producer Edition

Rip Rowan

I’ve been a fan of Cakewalk music software ever since Greg Hendershott was the only employee. Cakewalk has always had a good combination of usability, power, and relative simplicity.

Comments (3)

Mackie Big Knob

Rip Rowan

When I moved into my new facility at Pleasantry Lane studios, I made a commitment: no new rack gear, and no mixers. I am on a quest to downsize the hardware and optimize my use of a pure computer-based approach to engineering.

Of course, when swearing off mixers, one quickly bumps one’s head against the problem of monitoring.

Comments (0)

Blue Ball

Garry Simmons

The Ball from Blue Microphones is Blue’s first entry into the dynamic market after a successful string of highly regarded condenser mics.

Comments (2)

Blue Kiwi

Garry Simmons

Blue Microphones was kind enough to send me their Kiwi mic for a test drive at the same time they sent me their new Ball mic for review. Truth be told, I love microphones. I don’t think you can have too many of them, especially if they have a distinctive sound.

Comments (0)

A Complete Wireless DAW Remote Control

Rip Rowan
When I was building out the space for our new studio, one thing started to annoy me.

The studio was constructed as a production studio, with a separate control room and nice big tracking room.
Comments (3)


Summer NAMM 2003

Bill Park

Five years ago or so, Ocean Way opened a facility in Nashville. They bought an old stone church at 1200 17th Avenue South. They converted it into a recording studio, and took what I assume was the rectory next door, and turned it into offices.

Comments (0)

Summer NAMM 2003 pt. 2

Bill Park

Showtime!

The first thing that we should say is that the attendance was huge, breaking last years numbers. So anyone who chose not to show at the Summer NAMM definitely lost out. In fact, even Sunday was jamming.

Comments (0)
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Control Room

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