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by Rip Rowan The seminal article blasting the modern mastering industry for singlehandly destroying a generation of great music.
the Spirit of Radio?
by Bill Park A scathing indictment of the megalithic entertainment conglomerate Clear Channel and its devastating effect on music and the people who make it.
Debra Soule
by Rip Rowan Building a mix from the ground up with Debra Soule's "Everlasting".
by Bill Park A comprehensive explanation of the wholesale changes in the radio industry stemming from the 1996 Telecom Act. | | | | | | | |
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Ron Guensche
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I’ve spent most of the last decade involved in remote collaboration as a tech support engineer for ednet, whose primary business model is real-time, remote audio collaboration via ISDN & IP for the advertising, post / ADR, and music markets.
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Rip Rowan
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Two questions perenially surface in the world of pro audio:
1. Why are Macs dominant in pro audio, when Windows has such overwhelming market share? 2. Should I get a Mac or PC for recording?
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Comments (25)
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Rip Rowan
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By now you've probably been wondering where we've been. To tell the truth, so have we. Well, ProRec's demise is a powerful testimonial to the importance of a robust data backup strategy. After over eight years of uninterrupted service, our main web server experienced a (third) failure of its RAID array, and the entire contents of the server were utterly corrupted. Normally, this would not have been such a disaster.
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Comments (16)
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Rip Rowan
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In my last studio, I was fortunate to have a great sounding control room. I can’t take any credit for this; it was sheer luck-of-the-draw. Some interplanetary alignment of room dimensions, carpeting type, and speaker placement converged to give me a near-perfect listening environment.
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Rip Rowan
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I’ve been a fan of Cakewalk music software ever since Greg Hendershott was the only employee. Cakewalk has always had a good combination of usability, power, and relative simplicity.
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Rip Rowan
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When I moved into my new facility at Pleasantry Lane studios, I made a commitment: no new rack gear, and no mixers. I am on a quest to downsize the hardware and optimize my use of a pure computer-based approach to engineering.
Of course, when swearing off mixers, one quickly bumps one’s head against the problem of monitoring.
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Garry Simmons
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Blue Microphones was kind enough to send me their Kiwi mic for a test drive at the same time they sent me their new Ball mic for review. Truth be told, I love microphones. I don’t think you can have too many of them, especially if they have a distinctive sound.
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Rip Rowan
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When I was building out the space for our new studio, one thing started to annoy me.
The studio was constructed as a production studio, with a separate control room and nice big tracking room.
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Comments (3)
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Bill Park
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Five years ago or so, Ocean Way opened a facility in Nashville. They bought an old stone church at 1200 17th Avenue South. They converted it into a recording studio, and took what I assume was the rectory next door, and turned it into offices.
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Bill Park
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Showtime!The first thing that we should say is that the attendance was huge, breaking last years numbers. So anyone who chose not to show at the Summer NAMM definitely lost out. In fact, even Sunday was jamming.
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