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 | |  | | | Author: | Rip Rowan | Created: | Tuesday, July 17, 2007 9:45 AM |  | | Articles by the ProRec Team |
By Rip Rowan on Wednesday, March 31, 1999 6:00 PM
Most businesses these days are run with computers, marketing, and money. Even in the world of pro audio.
Therefore it's always refreshing when I find a company which is run by brains, engineering, and passion.Especially in the world of pro audio.
I was introduced to Brauner microphones by Brad Lunde of Transamerica Audio Group. Brad had heard about ProRec at an AES show and wondered if ProRec would be interested in hearing the Brauner microphone.
I was a little skeptical. Here at ProRec we're interested in the cutting edge of recording equipment. My concept of Brauner was that of a company that built new versions of classic microphone designs. So, where's the story?
I decided to audition a VM1 microphone, if only to justify my skepticism.
Overview
The VM1 is a large-diaphragm multipattern tube microphone. It has a utilitarian look and feel similar to that of the Groove Tube MD1 micropho ...
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| By Rip Rowan on Wednesday, March 31, 1999 6:00 PM
I recently came across a line of posts regarding ProRec in a popular discussion group.
The gist of the commentary was that ProRec is an interesting 'Zine, but it sure seemed like ProRec's authors were lackeys for certain pro audio companies. The author asked, could someone please recommend a trustworthy web site?
My blood boiled. TRUSTWORTHY?!!?
I wanted to flame the living shit out of the scumbag.
Then came our Roundtable on the future of the small studio business. That one stirred up a lot of misplaced emotion in various discussion forums. A lot of readers got the idea that ProRec was staffed by a bunch of "old timers" who desperately clung to their cushy big-studio jobs and who had a terrifying fear of competition from home recordists.
Yeah, right.
Later, as I calmed down, I started to realize that the people in these discussion groups just didn't understand m ...
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| By Bruce Richardson on Wednesday, March 31, 1999 6:00 PM
Hey, if you've been coveting those groovy VST plugins floating around the web for free, but have a DirectX-only digital audio workstation, it's time for you to get happy. Amulet Audio Software, a UK-based software company, has released VST Adapter, a DirectX shell for VST plugins.
VST Adapter is great news for the musician on a budget. There are dozens of totally free VST plugins on the web that can be yours for the price of clicking a few links.
There's one minor catch: those plugins are free, but the VST Adapter is not. Price of admission is fifty bucks. Still, it's a pretty sweet deal. For the price of one cheap DirectX plugin, you get the dozens of freeware VST plugins that are out there already. New ones appear all the time. Some even come from Steinberg, including a very cool autopanner. Free.
. | By Jim Roseberry on Wednesday, March 31, 1999 6:00 PM
Drum-roll please…
Gadget Labs (http://www.gadgetlabs.com) redefined the standard of "More-for-Less" with their rock-solid Wave/4, so we've ALL been waiting for the scoop on this piece of gear. A 24-bit audio card with eight channels of balanced +4 analog I/O, built-in MIDI… and a MSRP of $499!
Ladies and Gentlemen: I welcome you to the Overview/Review of Gadget Labs' Wave/8*24.
Features
· Full Length PCI card
· Rackmount patchbox - connects to PCI card via included 2-meter cable
· Eight channels of analog I/O (individually switchable between balanced/unbalanced, and +4/-10) via ¼" TRS connections… Channels 1&2 also feature XLR connectors.
· Supports 8, 16, or 24Bit audio (When recording 16Bit audio, the Wave/8*24 samples at 24Bits and dithers down to 16Bits)
· Supports the following Sample Rates: 11.025, 16, 22.05, 24, 32, 44.1, and 48kHz
· Up to three Wave/8*24 cards can be cloc ...
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| By Lionel Dumond on Wednesday, March 31, 1999 6:00 PM
Probably one of the most misunderstood concepts in all of audio science is that of the decibel -- what it means, and what it doesn't mean. This really isn't very surprising. Most books you'll find on audio production gloss over the subject, offering a rudimentary explanation at best. What's worse, you'll often see the term "dB" bandied about with little consideration given to the context in which it's being used -- are they talking dBu, dbV, dBm, dbVU, dBFS, dBspl, or what? And being a rather complex concept, the term doesn't lend itself well to a one or two sentence glossary-style entry. For example, if you look up "decibel" in a book, you might read something like "the smallest increment of sound which the human ear can detect" -- which only happens to be true in general, but certainly isn't an accurate definition by any means.
What's more, this lack of understanding isn't limited to beginners. There are folks I know who've worked in this field for a long time who aren't clear on the ...
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| By Joel Braverman on Sunday, February 28, 1999 6:00 PM
The forces of life were against my trip to the Namm show this time. Everything conspired against me, but I did make it down for one day, and I took a bunch of pictures with a borrowed Sony DV Camcorder. (Techie corner - they were digitally transferred to an AVID and the stills were extracted from there). I've provided a little information on the stuff I saw that I liked, and some links to the respective companies if the products sound interesting to you.
Down in the Basement
If anyone was hoping for as spectacular a NAMM show as last year, they were somewhat disappointed.
There were some interesting new things, but for the most part it was the same old stuff with a few little changes. The only place that truly had some major innovations was to be found in a corner of a basement of the convention center. Down there, clustered within a few booths of each other, were the softsynth manufacturers. Native Instruments, Bitheadz, and Sounds Logical were all promoting some hot new sof ...
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| By Lionel Dumond on Sunday, February 28, 1999 6:00 PM
The landscape of Marketing History is littered with ill-fated products, saddled by their well-meaning creators with monikers meant to cash in on the glittering reputation of their legendary namesakes. As we've all learned, however, sharing a name with a classic isn't necessarily an indication of repeated glory. Remember the Mustang II? The Exorcist II? Or, God forbid... New Coke?
The lesson learned here is that, if you're going to adopt a name synonymous with Greatness, that you'd better be able to walk your talk. The pressure to excel, to succeed, to live up to heightened expectations is tremendous. Many have tried. Many have failed. Few are up to the task. But every so often, these untested heroes with the oh-so-familiar names surprise, delight, and even astound us. It can be done. Just ask Ken Grffey, Jr.
Or, for that matter, ask the developers at Waves Ltd., who are calling their latest bundle the "Native Power Pack II." Whoa... wait just a minute here! Heck, we a ...
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| By Pete Leoni on Sunday, February 28, 1999 6:00 PM
I can hear it now.
"What do you wanna do tonight honey?"
"I dunno. What do you wanna do?"
"Why don't we design the best compressor in the world for under $1500?"
"OK, dear. That sounds like fun"
Not your ordinary domestic conversation, but the couple who designed and market the RNC (for Really Nice Compressor) aren't your ordinary couple. They are of course, both electronics engineers. Unsatisfied with the way that most compressors sounded, and in need of a high-quality compressor themselves, they simply designed their own unit.
Well, one thing led to another and before long word got around that something special was happening in a little shop in Austin Texas. FMR Audio was born.
Don't like to shop around and compare? Need a compressor? Don't have about two grand or so to spend?
Save yourself some time and don't even bother to look at any thing else. This has got to be the all around best sounding compressor at anywhere n ...
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| By Garry Simmons on Sunday, February 28, 1999 6:00 PM
Apology: When I wrote my review of the DSP Factory (DSPF) hardware, I honestly expected to have this software support article completed by the end of December. Turns out I was very, very wrong. My life has been consumed by the development of my own DSP Factory control program called "LUI (Little User Interface) for the DSP Factory". Then, just as LUI was released, a wicked crunch at the day gig kicked in. I'm finally getting my life back and have some time to devote to ProRec again.
Overview
This article will focus on software support for the DSP Factory. Software support is a critical issue for DSP Factory owners since the card doesn't come with any software to control it. To re-use my analogy from the review, it's like buying a really powerful mixer that doesn't come with any knobs, faders or switches to control it.
Many ...
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| By Rip Rowan on Sunday, February 28, 1999 6:00 PM
I've been looking wistfully at the new generation of DSP-enabled audio cards. In particular the ability to run several bands of real-time EQ and compression on every channel is SO exciting.
So you can imagine my surprise - and glee - when I stumbled across a demo download on the Waves site (http://www.waves.com) called AudioTrack and loaded it onto my computer.
AudioTrack is the essential track insert. It is a self-contained DirectX processor that incorporates a 4-band paragraphic EQ, a compressor, and a noise gate in a single plugin.
Waves AudioTrack
All the usual controls are provided. The EQ provides 4 bands with 5 curve types: peak / notch, low-pass, high-pass, low-shelf, and high-shelf. Each band has configurable gain, frequency, and Q controls. The curve is displayed on a graph ...
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| By Rip Rowan on Sunday, February 28, 1999 6:00 PM
FX2 is a DirectX package consisting of Amp Sim and Tape Sim. It is available from Cakewalk and will work in your DirectX-capable digital audio software. It is one of the latest in a sea of "warmth" simulators available in the digital audio world. Fortunately, this package holds its own and is not just another "me too" application.
FX2 Amp Simulator
Cakewalk FX2 Amp Simulator is a distortion processor and speaker simulator. It is designed to be used primarily on guitar tracks, but there are many interesting uses for it.
First off, guitar recording is my specialty. I love to capture guitar on tape. I guess it's all those years of listening to bands like AC/DC. I just love the sound of blistering distorted guitars.
Secondly, I am NOT one of those people who will tell you there's one "right" sound. There are millions of interesting distortion sounds you can get from different combinations of guitars, amps, tubes, speakers, microphones, and mic placements. In fac ...
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| By Rip Rowan on Sunday, February 28, 1999 6:00 PM
There's a difference between an invention and an innovation.
Inventions are incarnations of a new idea.Innovations are revolutionary implementations of inventions.
Inventions make suggestions of grand things to come.Innovations demand change.
Inventions can be appreciated for what they might become.Innovations are amazing for what they do now.
For example, Xerox invented the graphical user interface for computers. But Apple revolutionized the market with the innovative Macintosh.
Cakewalk FX3 is not the first "virtual room" simulator. Other have invented those before. However, because of its innovative implementation, FX3 has revolutionized the way I will think about mixing. FX3 is a true innovation.
Cakewalk FX3 Sound Stage Designer is a virtual room into which you place virtual performers and virtual microphones. You then "record" the sound in the virtual room.
To understand why ...
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| By Jim Roseberry on Sunday, January 31, 1999 6:00 PM
It's been a while since Frontier released the world's first Lightpipe audio card, the WaveCenter. Without much hype, the WaveCenter managed to establish itself as a solid ‘workhorse' digital multi I/O audio card… and quietly helped to usher in a new era in PC Audio. At last, PC DAWs could digitally record/transfer 8 simultaneous channels of audio!
That was roughly two years ago. So what has Frontier Design Group been up to lately?
Well, I can say this much, they've done their homework and have come up with a powerful new ‘modular' series of audio hardware.
Dakota
Dakota is Frontier Design Group's new PCI Lightpipe audio card that comes stock with the following features. Two Optical Lightpipe Input ports - providing 16 simultaneous channels of digital audio input (software switchable to Optical S/PDIF)
Two Optical Lightpipe Output ports - providing 16 simultaneous channels of digital a ...
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| By Rip Rowan on Thursday, December 31, 1998 6:00 PM
This shootout has been a long time coming and even a longer time waiting. I won't pretend that it isn't way overdue, so my apologies go out to everyone that's waited for it.
Nevertheless, it's here! We're throwing a handful of the top of the line DirectX dynamics processors into the mix and seeing how they stack up. We're going to use and abuse each one of them. In the end, we will present a rating from 1 to 10 in terms of sound quality, ease of use, features, processor efficiency and an overall rating. Rather than presenting the overall rating as a composite of the other three categories, the overall rating will be this reviewer's subjective rating of the relative need-to-have factor.
Note this is the third article in a series on compression. If you didn't read Part One or Part Two, you ought to go back and check them out.
A ...
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| By Rip Rowan on Thursday, December 31, 1998 6:00 PM
I'm a big fan of new ideas. Whenever a product comes along that really pushes the envelope, I get excited. Hyperprism is one of those products.
Like all boundary-stretching, paradigm-shattering products, Hyperprism does have its drawbacks and shortcomings. It is far from perfect. But Hyperprism does many things that no other processor plugins even attempt to do, and I applaud Arboretum Software for the creativity embodied in this package.
Overview
First of all, Hyperprism is the broadest, most comprehensive set of DirectX plugins available. With 32 different effects, including compression, EQ, stereo enhancement, vocoder, frequency and pitch shifting, distortion, and more, Hyperprism offers a studio-full of processors with a single friendly price tag. These effects tend to be simple and straightforward with excellent efficiency when used as real-time processes. Therefore they make great track inserts on a multitrack mix.
...
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| By Pete Leoni on Thursday, December 31, 1998 6:00 PM
Note from the Editor: Waves sent us a full CD of software for review. Always the overachiever, Pete reviewed all the software sent to him - many of which are not included in the Native Power Pack. The Native Power Pack includes the Q10 EQ, the C1 compressor, the S1 StereoImager, the L1 Ultramaximizer, and the TrueVerb. The other plugins reviewed here - Renaissance Compressor, DeEsser, and MaxxBass - are part of the Native Power Pack II. You can read a full review of NPP II here.
Either ya's got class or ya' ain't.
The '57 Chevy is a classic. The '62 Stratocaster is a classic. So are the Rolling Stones.
Add to the list the Waves Native Power Pack.
The minute you first lay eyes on the box you begin to understand that Waves cares about quality. This is one product that wasn't rushed to market in a half-baked state. The abundance of qua ...
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| By Pete Leoni on Monday, November 30, 1998 6:00 PM
Ever heard this one?
" If you spend one more *&^% penny on that &^%$ studio we're getting a divorce!"
Well, I have some bad news for you. You are very likely going to spend that penny and a little more, because here is one product that you absolutely have to have.
All of the tweaking, all of the endless hours you spend getting that "perfect" guitar tone, or that "killer" snare tuning doesn't amount to a hill of beans if you blow it all when you lay down the lead vocal. How many times have you put all your heart and soul into a lead vocal only to play it back and find that although the feeling was there, and the emotion was there, on a few phrases the pitch just wasn't quite in the pocket?
Ok, here we go again.
You punch in here, you punch in there, you finally get the intonation right, play it back and discover the emotion is gone, the moment is gone and you may just as well take it all from the top once again.
Frustrating as hell i ...
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| By Joel Braverman on Monday, November 30, 1998 6:00 PM
Many people have expressed a desire for a transcription tool that would let them take the melodies they hear in their minds, and convert them to music notation, or to transcribe an instrumental solo in order to more easily learn it.
Autoscore is a program from "Wildcat Canyon Software" (WCS) that attempts to fill this need. Although it isn't perfect, Autoscore does seem to do the job to some degree, but there may be some MIDI cleanup left to do afterwards. A skilled singer who can sing on key most of the time will get much more use out of this product than the average person.
The product was sent to me in two flavors - Deluxe and Pro. Deluxe appears to allow step entry only. It comes with MidiSoft Studio for Windows, but will work with other sequencers, like Cakewalk.
The Pro version ships with Cakewalk Home Studio, which is pretty much the old standard Cakewalk 3.01 sequencer, sans a few nice features. It appears to install Home Studio by default. Fortunately, it doe ...
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| By Rip Rowan on Saturday, October 31, 1998 6:00 PM
ProRec is considering a new style.
We've been laboring under the assumption that you want to read about stuff monthly. We never bothered to check out the facts.
We were trapped in our paradigms. Lost in our mental models.
Sufferring terminal hardening of the categories.
After all an e-zine is supposed to be an electronic magazine. Magazines don't send you articles one at a time as they're written.
But we want to keep giving you the scoop. We were the first source with in-depth information on many of the leading products available today. Like DSP Factory, Layla, DSP/FX, and Pulsar.
Nothing sucks worse than having the latest information on a killer product and sitting on it for two weeks while we get the 'zine complete for the month.
So we're planning on dropping this monthly convention in favor of a new model of continual news and information as it becomes available.
Does this sound like a good idea or not? If you lik ...
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